Asterix and the Vikings

2006
6| 1h18m| G| en| More Info
Released: 05 April 2006 Released
Producted By: SND
Country: France
Budget: 0
Revenue: 0
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Synopsis

Asterix and Obelix have been given a tough mission: Transform the chief's lazy nephew Justforkix into a warrior. When the Vikings abduct him and bring him back to their homeland, Asterix and Obelix must travel to Norway to rescue Justforkix.

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Reviews

Wordiezett So much average
Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.
Kimball Exactly the movie you think it is, but not the movie you want it to be.
Kayden This is a dark and sometimes deeply uncomfortable drama
ElMaruecan82 If you're an avid Asterix reader, you'll probably know what most characterizes the Vikings (called 'Normans' in the book): they don't know fear. Don't take it too literally, that doesn't mean they're the bravest, just that they don't know the meaning of fear. Well, that's taking it literally I guess.They're indeed such fearless people that legal authorities never get the respect they deserve, kids don't fear their mothers' stories, and hiccups are practically incurable diseases. But Olaf, the fearsome chief, heard that fear gave people wings, a secret weapon the Normans ought to get, so they went to a randomly picked Gaul, for what they call an educational trip.Meanwhile, our Gallic heroes must take care of Justforkix, the chief's nephew too softened by Lutetian lifestyle. The kid is an interesting character, the first preeminent teen in the series, and a cocky city slicker patronizing the Armorican yokels, but revealing his true side when he witnesses a (literally) landing of Normandy on the beach (guessed the reference?) and decides to leave the village, panic-stricken. Confronted by Asterix and Obelix, he touchingly admits he's the champ of fear, at least when he's alone. When the word comes to Olaf, he orders his men to capture the champ so he can be taken away from the ignoramuses' bad influence.The story's most delightful fun (or funniest delight) is the sight of poor frightened Justforkix surrounded by towering Normans, and then Olaf, the chief, asking him, in all solemnity and seriousness, to scare him. That's writer Goscinny at the top of his game, and to be fair, the movie adaptation "Asterix and the Vikings" played fair with that aspect of the story, and made Justforkix a fun and endearing character. Too bad they had to ruin him with so much anachronistic stuff. I know references to the present time are undeniably part of Asterix fun and it works as long as it's not blatant anachronism. But this is a tricky form of humor that doesn't translate well in the screen.Take the original "Asterix in Britain", Asterix and Obelix go to Londinium and see many British archetypes such as a big sundial and the giant tower where prisoners are jailed, these are jokes that don't age because the archetypes they refer to, don't. But in the book, they also encounter four successful bards surrounded with hysterically screaming teenage girls, and of course, they look exactly like the Beatles, who were at the pinnacle of their career in the mid-sixties, when the story was written. The joke worked in that context, but when the film was adapted in 1986, the authors wisely skipped this reference. Naturally, the Beatles' gag didn't affect the timeless appeal of the album, but how does a story that feels like a product of its time manages to stand its test.In "Asterix and the Normans", Justforkix drives a Roman car, talks about Lutetia's catacombs (nightclubs) and plays a music that looks like Rock 'n' Roll, he's obviously representing the then-young baby-boom generation. But within its own anachronism, the joke works because, unlike the Beatles' gag, his music could pass for any version of Rock. In "Asterix and the Vikings", the movie goes fairly well, until all of a sudden, Justforkix engages in a "Get Down on It" routine, and the sight of the Gallic villagers dancing to hip-hop music was a real embarrassment. "Asterix vs. Caesar" in 1985 started with a catchy theme that screamed 80's, but it was just the cover song, in "Vikings", the rest of the film didn't have the Gauls doing the moonwalk"Asterix and the Vikings" desperately tries to match some marketing requirements, but all it manages to sell is the witty little Gaul's soul. Couldn't they just come up with original songs? Or original lyrics to famous songs? They even have a training montage for Justforkix, with "Eye of the Tiger". I can see some of the executives thinking, that would be fun to have Rocky music but the question is "would a live-action film do the same?" So why not treat your film with similar respect? Why? This is endemic to movies belonging to our era, they really believe some curse changed the minds of younger audience and everything should have a connection to their present.Justforkix even has a bird named SMS, because he can send short messages, well, the bird was cute, but the day the word SMS won't be used anymore, what use will be left of that gag? The reference to the present must be subtle, take "The Twelve Tasks of Asterix", one of the greatest sequences was the 'Place that sent people mad', a magnificent (and still relevant) satire about bureaucracy that didn't need any references to phones or typewriters. The tragedy of "Asterix and the Vikings" is that it's a great animated movie in the visual sense of the word and it treats most of the original material with overdue respect, they waste a few opportunities for nice jokes but overall, this is a real improvement from the disastrous "Asterix and the Indians".However, it sins by intelligence-insulting predictability or obviousness. Take Olaf's daughter Abba, an obvious creation in order to appeal to the feminine target. Still, she looked and sounded like an interesting and fully developed character, a conventional rebel, but who was a fine complement to Justforkix' cowardly attitude. Now, did she have to tell the guys "one day, women will be equal to men", "we deserve respect" and so forth. We already know that's what she's supposed to incarnate, girl-power but why telling it in such an on-the-nose manner? The film was good, but it's for these desperate attempts to be a product of its time that it fails to get a timeless appeal and will probably be forgotten when people will still laugh at "Asterix and Cleopatra" or "The Twelve Tasks".
happyakazukin This film is a perfect example that a movie can not be successful with a high budget alone. It's obvious that there was a lot of time and effort dedicated into this: the animation is fluid, detailed and superb- the soundtrack isn't too memorable except for the ending song by Celine Dion (at least I think it was her). The musical score is powerful full orchestra material. Kudos to the animators and music composers! 9/10. However, the story and characters fall flat. It feels very 'been there, done that', predictable and plain uninteresting. The characters have distinct personalities but nothing too likable. They annoyed me to no end. I tried really hard to like this, but I didn't care about the story- it was cliché action-adventure plot. There were 'jokes' that weren't funny. It was vomit inducing predictable from start to end. The dialogue was cliché and awful- especially the last line "It's not ... that gives you wings, it's love!" Whatever it was, I remember cringing. I was wishing it would hurry up and finish. I wasn't the only one either- the people I went with thought it was boring. Please watch the Asterix and Obelix Cleopatra film if you're going to watch any. This was a waste of time.
hugmyster For those who have enjoyed the Asterix books and films, you'll LOVE this film! Yes, I will admit that it does mix some of the books and films, but the characters are brilliant and it's not just people showing off their CGI left, right and centre. I've already seen it several times and laughed my socks off at it.Of course it contains the main heroes Asterix (Astérix), Obelix (Obélix) and Dogmatix (Idéfix), but this time they have someone new to... deal with.With a sense of humour like that, the Gauls will go on and on and on. Bless 'em.
Ursula Since the last horrid Astérix film and the fact that we only get the Swiss German version in cinemas, here, I went to watch it with quite a bit of trepidation... Unfounded, as I was happy to discover ^____^The film is funny and modern, has good gags, a good animation, an amusing character interaction, a good voice cast (Note: I can only speak for the Swiss German one!) except for the Viking chief's daughter Abba (her name is great, despite the not very inspired voice actress)...I especially liked the character Justforkix (Goudurix in French, Grautvornix in German. He's the young man who is supposed to be put in shape...). He's a very amusing portrayal of a mollycoddled, urban teenager; but he's very likable, despite the teenage mannerisms... XD The interaction between Astérix & Obélix and their young charge is fantastic and thoroughly entertaining.It shouldn't be compared to the old films, since this one is quite different... Which surprisingly doesn't make it bad. On the contrary. When they tried to modernize the last film (twelve years ago), they completely blew it. This film, however, proved that it can be done just fine... ^-^I came out of the theater cheerful... Always a good sign ^_~