Hellen I like the storyline of this show,it attract me so much

WillSushyMedia This movie was so-so. It had it's moments, but wasn't the greatest.

Murphy Howard I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

Nayan Gough A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

39-0-13 The first MGM Arsene Lupin sound movie featured John and Lionel Barrymore as mighty antagonists, master thief and super cop. The RETURNS movie builds up the contest of similar seeming antagonists, a successful G-Man, forced to resign because of his self-promoting publicity, and a legendary thief who seems to have come back from the dead. The beginning of the film builds up the character of Warren William as a sleuth on the trail of a thief calling himself "Arsene Lupin." In short order, William is in France where he meets an aristocratic lady (the beautiful Virginia Bruce) with four young Boston terriers, which we never see again, and Melvyn Douglas as her friend. Douglas apparently has a country estate with various farm animals running around. Then begins the apparent duel -- William versus Douglas, one man suspecting that the other is the real thief who escaped death and the other thinking that he has to evade suspicion for committing a crime and maintaining his life style. The two dance around each other with their witty exchanges, while paying attention to the lovely Bruce. Douglas has to contend with the unexpected appearance of two buddies from his past (Clive and Pendleton) who think that their old life style has returned. Meanwhile, a formidable French police officer (George Zucco) is on the trail. Then begins a succession of events, all centering around a $250,000 emerald necklace, amid a flurry of misdirections, red herrings, shadowy figures, safe cracking, and a deadly shooting, until the satisfying conclusion is reached. A nice touch: the "confetti" thrown at the end. William is as suave as he is in his role as Perry Mason, Douglas is as debonair as he is in his films with Garbo, Bruce is more gorgeous than she is in BORN TO DANCE, even Zucco is more believable than he is in his horror films of the 40's. Also, watch for noted screen chewer Vladimir Sokoloff in his much younger years. One of the better crime films of the '30's with witty repartee, handsome actors, and a clever plot.

MartinHafer The Arsene Lupin films have been around since well before the advent of talking pictures and a wide variety of actors have played the role of this gentleman thief (sort of like the Lone Wolf or Boston Blackie before they went straight). Because of the massive turnover of actors and generally lackluster films, despite the series continuing on and off for decades, it never caught on with the public.In this installment, it picks up three years after the last film. While the actors were different, the plot was a logical follow-up to the earlier film and once again, while the film was set in France, no one spoke with even the vaguest of French accents. This time, a fat-headed but brilliant detective (Warren William) is out to catch the thief but must contend with some decent plot twists to untangle the mystery.This is a pretty good film of about the same quality as the earlier ARSENE LUPIN starring John and Lionel Barrymore. While this film did not have quite the same star power as this other film, Melvin Douglas and Warren William are both entertaining to watch. Sadly, however, despite a decent supporting performance by Virginia Bruce, there were also some disappointing performances as well. George Zucco (a perennial heavy from B-films) and Monty Wooley (a likable sort of rogue in most films) are pretty much wasted, as they are given very little to do. It's a shame, because with better writing, these two could have been major assets in the movie. Instead, Douglas and William are pretty much the whole show.

whpratt1 Melvyn Douglas, (Arsene Lupin) keeps his real name a secret from everyone and gets himself involved with a stolen necklace and also has a romantic relationship with Lorraine DeGrissac, (Virginia Bruce) who both give an outstanding performance throughout the entire film. There is plenty of laughs and comedy in this film and it captures your attention and then turns quickly away from stolen jewelry and centers around all the characters involved in this mystery. George Zucco, (Perfect of Police) instead of playing the role as a crook which he has done all his acting career, is now a police man who tries to catch his criminal and suspects Arsene Lupin of stealing this necklace. Georges Bouchet, (Monty Wolley) plays low key in this film and has some very dark secrets which he does not want to reveal.

Neil Doyle MELVYN DOUGLAS is debonair, WARREN WILLIAM is clever and sophisticated, and VIRGINIA BRUCE is decorative but bland as a lovely blonde, but ARSENE LUPIN RETURNS is pretty much a replay of the original film "Arsene Lupin" with little variation in plot and theme.The supporting cast includes such dependable actors as GEORGE ZUCCO and MONTY WOOLLEY, but the story never becomes more than a routine mystery with overtones of comedy, despite the handsome MGM production values.It's interesting mainly to see how Douglas will evade detection as the police close in on the man suspected of being the jewel thief whose theft of a precious emerald from a safe has them on his heels, just waiting for a chance to catch him in the act. The plot takes an unexpected twist when a cast member who is the least of the suspects, turns out to be the man responsible for murder and theft.Overall effect is that it's a watchable film, mainly because of the cast, but it's a forgettable item as a mystery.