Cebalord Very best movie i ever watch

Listonixio Fresh and Exciting

Merolliv I really wanted to like this movie. I feel terribly cynical trashing it, and that's why I'm giving it a middling 5. Actually, I'm giving it a 5 because there were some superb performances.

Kimball Exactly the movie you think it is, but not the movie you want it to be.

stephanlinsenhoff Bo Widerbergs last movie All Things fair, the male lead is the directors son. It is the love fall between Stig, 15 and his teacher, Viola 37. 1942 in the Swedish town Malmö. The 1955-movie with the same theme is based on a true story ... while in the shadow of the moralizing the love affair between a students with the principals wife develops: "Så tuktas kärleken" with the yesterday-famous (even A Hitchcock heard of) the blonde Karin Ekelund. Significant for Bo Widerbergs movie is the students search for knowledge. He is in the classroom, searching for a word in the schools dictionaries. Enters the teacher, asking what he does and telling him the meaning of the word he looks for: middling/mediocre. He reads: "Latin, mediocre, person of moderate ability, work of no particular value." It is the beginning of their relationship: working class boy vs middle class woman. Primary not a love affair between them but she as the door to knowledge the working class is forbidden to have. The teachers guiding part, as member of the upper class, owns the power of knowledge. The end of their love story is not that her husband discovers their affair (he accepts what is going on) but the friendship between her husband and her lover that triggers her jealousy and ends the affair between upper and working class: doomed from its start. Who was used and who ...? She uses her power against the powerless. She tells the schools principal that Stig has to repeat his year and the principal tells Stig after the decision: "we are all in agreement that you should repeat the third year next term." The celebration in church of the schools years with the distribution of the certificates. The teacher in the place of the priest in front of the altar, calling the name/s of the pupil/s. Stig in his weekdays outfit enters, approaching her. We see only parts of his obscene gestures in front of his paralyzed teacher, Viola. He leaves the church, heading for the school. The doors are locked, entering as the working class boy he is by the cellar. He forces the classrooms door and takes the books. The books, the symbol for knowledge that always belonged to the ruling class. The last scene: above the schools entrance are carved in stone the sentence: Fear of the Lord is the Beginning of Wisdom. In two bags he carries the books: the wisdom that now belongs even to him, the working class Their relation was a wisdom-encounter and a time limited human encounter. It ended when Stig befriended with her husband. Stig is played by the editors/directors son. Some parts are autobiographic.

MartinHafer Technically speaking, this is an excellent film---with exceptional acting, direction, etc. However, as the main theme involves the sexual exploitation of a teen by his teacher, it is NOT exactly Disney fair! Apart from having a very adult theme and a fair amount of nudity, I felt very disturbed when the main character (Stig) had other sexual encounters with an apparently younger girl he knew from school. These scenes are awfully graphic and the girl appears to be about 12 years-old. I couldn't help but wonder if pedophiles would be particularly attracted to this film because of this. I really think these encounters COULD have been included but just not made so explicit. In a way, it seems almost like the director and producers may have sexually exploited this girl--as she was apparently well under the age of consent--even with her parents' permission.

raymond-15 How much I regret the passing of director Bo Widerberg who can create a film such as this one with its dramatic portrayal of human problems, human relationships and human emotions. It was not so much the dialogue but more the unspoken words that grabbed my attention and held me to the end. A long silence can be filled with meaning....a stolen look, a fleeting glance, a flicker of a smile, a movement of the eye....all these subtle messages electrify the air between Viola the teacher and Stig the student in the class room. We know at once that in some magical way their lives have been drawn together and as we are caught up in the drama we seem to know that eventually the ending will not be a happy one.Under the guise of having special coaching lessons, Stig gains entrance into his married teacher's household after his evening cinema job. Shy at first he soon experiences the delights of a continuing relationship with Viola who is a very competent teacher in all respects. Perhaps we can pardon Viola for her "cradle snatching" when we find out that her husband has taken to drink and seems almost permanently drunk.The love scenes are sensitively handled and the remarkable changes which develop in the characters create an imposing piece of cinema. Stig seems to take on a degree of security in a scene where he accuses the husband of the impossible situation. But who is really to blame? That is the intriguing part of the film.There are some aspects that are not explained thus the viewer becomes involved. As for the stolen encyclopaedia, why would Stig carry them off. Is he just in a vindictive mood and does it just to annoy Viola or have those volumes become special to him because they belonged to Viola.

GMeleJr Bo Widerberg was honored in February 1997 at the Miami Film Festival with a retrospective (ELVIRA MADIGAN), and his latest (last?) film, the Oscar nominated ALL THINGS FAIR. I then saw ALL THINGS FAIR for the second time, and despite its length, enjoyed it as much or more than the first time I saw it in an arthouse theatre in Toronto. I think ALL THINGS FAIR is the great Swedish director's best, most personal film. You can't help but notice it must be autobiographical by the passion and the vivid recreation of WW II Sweden, as it was when Mr. Wideberg himself was the lead character's age. Speaking of him, the lead is the director's own 17 year old son, Johan Widerberg, who will undoubtedly carry on the family tradition in Swedish cinema history. Mr. Widerberg (Sr.) passed away last year, and among his legacy, this film stands out. It is a rare coming of age story in a setting seldom depicted on screen. Mr. Wideberg's screenplay, and direction, plus excellent performances by his son and two of Sweden's greats, Marika Lagerkrantz and Tomas van Bromssen make this a movie every European film buff should watch. It's now available on video. Check it out.