Alice in Movieland

1940
5.8| 0h22m| en| More Info
Released: 03 March 1940 Released
Producted By: Warner Bros. Pictures
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Budget: 0
Revenue: 0
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Synopsis

In a U.S. town that could be anywhere, 18-year-old Alice Purdee wins a free trip to Hollywood. With the assistance of a cheerful porter, she takes the night train and dreams about her arrival. Instead of instant success, she meets disappointment after disappointment, and she needs the unexpected encouragement of her grandmother and an aging, former star whom she meets at a talent night. Finally, she gets a call to be an extra, and she's so hopeful that the regulars decide to make a fool of her. Is this the end of Alice's dream? Not if the porter has anything to say about it.

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Reviews

Sexyloutak Absolutely the worst movie.
Baseshment I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.
Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
Geraldine The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
Michael_Elliott Alice in Movieland (1940) *** (out of 4) Two-reeler from Warner about a small town girl (Joan Leslie) who arrives in Hollywood hoping to become a star but she suffers one disaster after another. When she finally gets a bit part in a film she lets her dreams go too far and this here leads to another embarrassment. This is an interesting little short for a number of reasons but the biggest is because of how painful and rather embarrassing it treats the main character. A lot of shorts were made about young girls coming to Hollywood but this one here is rather painful to watch because Leslie is so good in her role that we really start to care for it and it's rather sad seeing some of the jokes pulled on her. The film manages to have some nice backbone to it and it really has some great drama. Leslie is terrific in her role as the dreamy kid and we even get Clarence Muse as a train porter who gives her some sound advice. Alan Hale, Ronald Reagan, Craig Stevens, Alexis Smith and Jane Wyman appear in a brief scene at a club where Leslie is about to act. It's obvious the stars were filmed at other times and just edited into this film but it's still nice seeing them. Fans of older movies will certainly want to check this one out as there's a lot more soul and heart than you'd normally see in a film like this.
Neil Doyle As short subjects go, ALICE IN MOVIELAND is easy to take. After all, who doesn't mind gazing at JOAN LESLIE at her prettiest, showing us all the wholesome charm that did indeed make her a movie star in the '40s under contract to Warner Bros.But unfortunately, the script (by no less than Ed Sullivan) is a cluster of clichés--you know, the one about the kid who dreams of making it big in Hollywood and dreams about becoming the toast of the town. Leslie, enroute to Hollywood via train, falls asleep and dreams that she has this great impact on filmland after a few false starts. Her dream is all wrapped up in tinsel but is mostly a series of phony myths about Hollywood stardom for young girls.You can glimpse a few Warner contract players throughout--including David BRUCE, CRAIG STEVENS, ALEXIS SMITH, JANE WYMAN, RONALD REAGAN, FRANK FAYLEN and ALAN HALE. But it's strictly a showcase for Joan Leslie, who plays the part of a naive girl seeking stardom. Her singing voice is obviously dubbed and her dancing is no great shakes.In real life, Leslie had to work hard to gain stardom, appearing in numerous films in bit parts before any big breaks came her way. But the story is reminiscent of how ANN SHERIDAN got her start--by entering a beauty contest that brought her to the attention of Warner Bros.This 21 minute short, directed by Jean Negulesco and photographed by Ted McCord, is a fun way to look at the way mythical film stardom was treated for the sake of naive movie fans back in the early '40s.
ccthemovieman-1 I never complain seeing the wholesomely-beautiful Joan Leslie, even if its just a 21-minute "short" like this one. She looked absolutely spectacular, too, in this 1940 film.Here, Joan plays "Alice Purdee," the winner of a local beauty contest for girls, the top prize being a chance "for fame in Hollywood!" We go along with her, seeing her trials and tribulations in attempting to become a movie star.For classic movie fans, this is terrific. Not only do we see glimpses of Hollywood (the town) circa 1940 but quick glances at couples' Alexis Smith and Craig Stevens, Ronald Reagan and Jane Wyatt, and Alan Hale. All are in the audience (supposedly) watching "Alice" make her talent show debut. Frank Faylen, by the way, plays the emcee of the talent show.This whole thing was well-done, with some wonderful close-up photography and beautifully directed by Jean Negulesco, who went on to direct some pretty famous movies. So far, it is the best short I've seen, although it does get a bit corny the last 5-6 minutes....but a nice kind of corny.This short film was part of the "Warner Night At the Movies" feature on "Sea Hawk" DVD. I guess they felt that appropriate since one of the first lines of this feature was, "....and don't you fall for one of those movie stars like Errol Flynn!"
MartinHafer I liked this short even though some may find it a bit too sappy and old fashioned. However, I like it because it's a wonderful eye into the idea of Hollywood from 1940--not the real city, but the way it was viewed by the wide-eyed public and how Hollywood packaged itself. Joan Leslie stars as "Alice Purdee"--a country girl who wins a local contest whose reward is a Hollywood screen test. In so many ways, this short is like a condensed version of A STAR IS BORN minus the Norman Main character. I find the whole thing very charming, as would anyone who is a fan of Hollywood's Golden Age. My bet is that newer, younger audiences will probably find it all a bit silly and over-done, but considering what the film was intended to portray, the "schmaltziness" is actually a big plus--it helps you to understand the dreams of thousands, if not millions of girls across the nation.

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