A World Apart

1988 "South Africa, 1963. A mother's love. A family's courage."
7| 1h53m| PG| en| More Info
Released: 17 June 1988 Released
Producted By: Atlantic Entertainment Group
Country: Zimbabwe
Budget: 0
Revenue: 0
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Synopsis

A White enclave in Johannesburg, South Africa, in the 1960s. Molly Roth, 13 years old, is the daughter of leftist parents, and she must piece together what's happening around her when her father disappears one night, barely evading arrest, and, not long after, her mother is detained by the authorities. Some of Molly's White friends turn against her, and her family's friendships with Blacks take on new meaning. Relationships are fragile in the world of apartheid. How will she manage?

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Reviews

VeteranLight I don't have all the words right now but this film is a work of art.
Zandra The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.
Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.
Dana An old-fashioned movie made with new-fashioned finesse.
sddavis63 Apartheid was just beginning to face its end in 1988 as this movie was being made, but it was still a few years away from disappearing completely. This movie is set in the 1960's - a time when apartheid was still enforced ruthlessly, and "A World Apart" gives us the story of a white but anti-apartheid family struggling against the regime. The story is shown largely through the eyes of Molly Roth (played by Jodhi May) - a 13 year old girl. As the movie begins her father is leaving South Africa to avoid arrest as a communist. Meanwhile, her mother is an anti-apartheid journalist. Molly finds herself increasingly ostracized by many of her white friends and their families because of her family's political views, and her mother is arrested by the government under a law that allowed for people to be held for 90 days without being charged so that they could be interrogated. The movie certainly makes the point that apartheid and the white regime were inhumane and brutal. It also - to me - made the point that apartheid sowed the seeds of its own destruction. Because of its ruthlessness, rather than stamping out opposition by frightening its opponents, it enraged them and emboldened them and ensured that there would be an ever increasing number of recruits for the anti- apartheid movement, a point made (I thought) by Molly's raised fist in a gesture of defiance in one of the last scenes of the movie.In this movie, the central family is the Roth family - Gus and Diana and their children, most importantly Molly. In fact, the movie is really based on the story of Ruth First, who was the wife of South African Communist leader Joe Slovo. First did, indeed, find herself arrested under the 90 days law and actually served almost 120 days before being released. She was assassinated in the early 1980's, and this movie serves as a tribute to her, and was actually written by Shawn Slovo, Joe and Ruth's daughter. I found myself wondering if the title might be referring to Molly's (or Shawn's) experience of being in a world of her own - not completely fitting in with the black world even though she was a supporter of their cause, and obviously not fitting in with the white world, most of whom regarded her and her family with a mix of contempt and suspicion.As apartheid movies go, this was somewhat unique in trying to tell the story through white eyes. To me, though, it didn't really succeed. While the regime (shown through its police and security forces) was ominous and ever-present, the movie seemed to lack intensity and treated the subject a little bit lightly. It's interesting, but to me it seemed to miss the mark. (6/10)
lord woodburry I'm told that there are some cultures which regard living through interesting times as a curse. What would happen to drama if times were uninteresting. Meet Molly Roth (Jodhi May). She's a normal teenager in a regimented society. It's 1963 in South Africa. Her parents are involved in the anti-apartheid cause. Her father flees the country. The police pick up her mother.It is a partially valid criticism offered by another commentator that the film does not explain why the Roths oppose apartheid. Yet A World Apart entirely approaches the weighty issues from 13 year old Molly Roth's perspective. There are limitations in the view of a 13 year old born into an existing system. Yet the film graphically presents valid reasons. Before Molly must witness her mother's arrest, she watches from her friend's mother's car as no one rush up to aid the victim of a hit and run driver and as the police take no interest in pursuing the offender.The film is superior in the mid 1960s costumes, hair styles, downtown areas in English speaking cities, and automobiles.David Suchet renders a bravura performance as the vicious police detective Muller. He would play a similar part as the KGB Agent in The Falcon and The Snow Man.
Eowyn1967 I saw this film in 1988 when it first came out. I was looking forward to seeing it on DVD but I must confess I was very disappointed. I found it excessively slow, with few dialogues, and in fact, plain boring. It should be at least 1/2 hr shorter.True, there are moments of real poignancy in "A world apart" and Jodhi May is an excellent actress but there just doesn't seem to be much going on for most of half the film. Maybe the fact that apartheid has been defeated and that so much has happened in S. Africa since makes it less momentous. For anyone interested in S. Africa, I recommend watching "Cry Freedom", "A white dry season" or even "The power of one" instead. These films at least seek to explain their characters involvement with the anti-apartheid movement. In "A world apart", there's no such character growth so far as the mother is concerned. Her involvement has to be taken for granted.
sandie-6 This is a very good film with outstanding performances, particularly from Jodhi May and Barbara Hershey. The story of the Slovo-First family is very compelling and deserving of this fine treatment. As someone who has spent time in South Africa, both during and after Apartheid, I can attest to its authenticity.The film works best, however, as a portrait of a troubled family. It carefully and truthfully depicts the agony of an adolescent girl who knows that her parents are trying to change her world for the better but at the expense of a normal life for her and her siblings. As Gillian Slovo so accurately stated, 'Here we were going off to Girl Guides while our parents were advocating the violent overthrow of our country's government.'This film makes a powerful and moving, yet personal statement.