Lovesusti The Worst Film Ever

GamerTab That was an excellent one.

Stellead Don't listen to the Hype. It's awful

Afouotos Although it has its amusing moments, in eneral the plot does not convince.

tajithwishva It Was Emotional When I Watching It, I Felt How Its Like To Live Without Someone You Love. This Movie Really Touch Bottom Of My heart

sol- Depression overwhelms a college professor on the anniversary of his boyfriend's tragic death in this drama written and directed by Tom Ford. As per Ford's latter 'Nocturnal Animals', this is a visually arresting and finely acted motion picture, further topped off with a superb Golden Globe nominated score. While some of Ford's imagery is a little ostentatious, he shows perfect restrain at other points, allowing Colin Firth to emote silently in close-up during a flashback in which he hears the news of his boyfriend's death by phone. Ford's use of slow motion as Firth drives along, watching neighbourhood kids and others works very well too; one truly gets the sense of Firth using the day to contemplate whether he can go on living or whether he should poetically end it all. There is, however, no escaping how slim the narrative is and not all of the subplots that crop up necessarily gel. Julianne Moore's turn as his best friend adds surprisingly little to his journey, except for some unanswered questions about their past together. It is hard to know what to make of Jon Kortajarena's gigolo either, however, Nicholas Hoult has a nice turn with a lot of suggestiveness as one of Firth's students with an unusual interest in him. Indeed, while all the little bits and pieces here might not necessarily add up, the experience of 'A Single Man' resonates long after it is over.

Antonius Block This is a quiet, somber, and loving film, plumbing the depths of grief after the loss of one's partner in life. Colin Firth is an English professor whose partner, played by Matthew Goode, has died in a car accident. He is consoled by his friend (Julianne Moore), but is having a lot of trouble snapping out of his despondency. It's a strong cast and Firth and Moore in particular turn in great performances. The beauty of the film, just as in life, is in all of its little moments. Firth's relationship with Goode is told in brief, touching flashbacks, which feel like real memories. A student's (Nicholas Hoult) attraction to him is told very subtly, in the eyes. Firth is morose, but shaken out of his routine and contemplating life and death, takes the opportunity to tell people kind things, the things he normally wouldn't have expressed. He also recognizes those singular moments in life when one sees with absolute clarity, and the way director Tom Ford tells us this is touching and profound.The fact that the people involved in this story are gay is secondary, although it is nice that the movie shows us these relationships are like any other, and the painful consequences of societal rejection. In a heartbreaking scene, Firth's character is not allowed to attend his partner of 16 years' funeral because it's for "family only", but Ford exercises the perfect amount of restraint, and doesn't dwell on this any further. While teaching his class, Firth describes irrational fear as the motivating factor behind hatred of minorities, something heightened when a minority is invisible and walking among us. He's of course alluding to homosexuality, but how appropriate this general message is in 2017, when the outcome of fear has been so clearly felt in U.S. politics.

bobapples24 The answer - visual masturbation. Like this complete waste of time. Sure it might look great but so does a perfume commercial, which ironically is what this director maybe should concentrate on. What happened to keeping the audience engaged? Plot? Character? And the ending. Come on! He drops dead? He could have done that after 10 minutes and saved us all some time. This drones on without any real purpose. Why are people hyping this film and how on earth did it get an Oscar nomination?